Series: A War in the Distance: Exhibition

23.9.22–12.2.23
Neue Galerie Graz

This year’s edition of steirischer herbst centers on an exhibition in both wings of the first floor of Neue Galerie Graz. It combines historical works from the gallery’s collection with projects by contemporary artists, thus offering a rereading of the collection through the prism of ignored wars, hidden histories, and repressed conflicts.

Rereadings of Neue Galerie Graz’s collections have already been undertaken in the past, partly in the frame of steirischer herbst, often in search of forms and media prefiguring modernist and contemporary art. This time, the exhibition focuses on works that, in modernism-centered art histories, remained mostly in the shadows: 19th- and 20th-century works that were neglected due to their figurative and narrative qualities. These are linked to works by contemporary artists in different media, most of them newly commissioned. They provide artistic and curatorial comments to ominously peaceful artworks, amplifying the echoes of not-so-distant battles and their far-reaching consequences.

The exhibition is divided into chapters and arranged according to subjective curatorial choices, built on free associations and counterpoints. Its focus is on the political uses of painting, and its common thread is a growing sense of danger, connected to the veiled and open conflicts of Austrian history. These include historical grievances related to the loss of empire, the long history of colonialism, exoticization, and othering in Central and Eastern Europe, as well as the dramas and struggles of class, as solemnly and playfully reflected in works of art.

→  https://2022.steirischerherbst.at/en/program/4036/a-war-in-the-distance-exhibition

Filed under “A War in the Distance: Exhibition”

Ornithes (Birds, 2012)
steirischer herbst ’22

Lost Memories of the Woman in White (1997)
steirischer herbst ’22

Undead (2022)
steirischer herbst ’22

Pastry Friday (2022)
steirischer herbst ’22

Casting Bodies (2018)
steirischer herbst ’22

Volga (2015)
steirischer herbst ’22

Never Come Back (2022)
steirischer herbst ’22

Materials from the collection
steirischer herbst ’22

Whose Bones? (2022)
steirischer herbst ’22

Swan Lake: The Zone (1990)
steirischer herbst ’22

Animal Masks for Tribunal Scene (2022)
steirischer herbst ’22

Harmless War (2022)
steirischer herbst ’22

Unstable Vision (2012)
steirischer herbst ’22

Photographs
steirischer herbst ’22

Open Form—Game on an Actress’s Face (1971)
steirischer herbst ’22

Untitled
steirischer herbst ’22

A Tough Male Portrait (2019)
steirischer herbst ’22

Tag X (Day X, 2019)
steirischer herbst ’22

Emancipation of Wonder (2022)
steirischer herbst ’22

Gavrilo’s Principle (2011)
steirischer herbst ’22

Sarajevo and Berlin (1996–2008)
steirischer herbst ’22

Seacoast (2008)
steirischer herbst ’22

King Vulture (2022)
steirischer herbst ’22

Margit, Maya, and Vanessa (2022)
steirischer herbst ’22

The Theatricality of a Postponed Death (2022)
steirischer herbst ’22

Retrospective
Retrospective
Retrospective