Marta Navaridas
Once upon a Time in the Flames: Our Firebird Ballet (2024)

Performance

Dates
26.–28.9.2024

Location
Dom im Berg, Graz

Production specifics
Commissioned by steirischer herbst ’24
Produced by steirischer herbst ’24 and Performanceinitiative 22
Supported by the City of Graz, the Province of Styria, and BMKOES
With the kind support of the Embassy of Spain in Vienna
Courtesy of UNIVERSAL EDITION AG, Vienna, www.universaledition.com, on behalf of Schott Music GmbH & Co KG, Mainz

Marta Navaridas’s new performance departs from her and her performers’ experience of facing nationalist and patriarchal structures in their dance training. Navaridas grew up in San Sebastián, where she witnessed the escalating militancy and repression of the Basque independence movement while training in ballet four times a week for a remote aesthetic ideal. Punk seemed like a way out, though it too was being appropriated by the independence movement and involved subscribing to its program. 

Against this backdrop, Navaridas turns to Igor Stravinsky’s Firebird, which is considered an example of musical rebellion, but is also mixed up with Russian nationalism and packaged as an implicitly anti-Western, anti-classical fantasy. In a way, it could be considered punk before its time, but is heavily implicated in a by-now toxic nationalist tradition. Navaridas and her ensemble question this repertoire and liberate themselves from embodied classical doctrines, resulting in a dance of raw, untamed, and repressed feelings, a display of folk horror and a passionate and joyful critique of patriarchal violence and oppression.

Concept, direction, choreography: Marta Navaridas
Text and performance: Veza Fernández, Stina Fors, Lau Lukkarila, Marta Navaridas, Maja Osojnik, Denise Palmieri
Music: Igor Stravinsky
Live electronics, sound design: Manuel Riegler, Maja Osojnik
Costumes: Annemarie Arzberger
Stage design: Georg Klüver-Pfandtner
Lighting design: Christina Bergner
Dramaturgy: Alex Deutinger
Outside eyes: Nerea González, Sara G. Novi, Jennifer Weiss
Thanks to: Alix Eynaudi
Production management: mollusca productions

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