A War in the Distance: Exhibition

23.9.22–12.2.23
Neue Galerie Graz

This year’s edition of steirischer herbst centers on an exhibition in both wings of the first floor of Neue Galerie Graz. It combines historical works from the gallery’s collection with projects by contemporary artists, thus offering a rereading of the collection through the prism of ignored wars, hidden histories, and repressed conflicts.

Rereadings of Neue Galerie Graz’s collections have already been undertaken in the past, partly in the frame of steirischer herbst, often in search of forms and media prefiguring modernist and contemporary art. This time, the exhibition focuses on works that, in modernism-centered art histories, remained mostly in the shadows: 19th- and 20th-century works that were neglected due to their figurative and narrative qualities. These are linked to works by contemporary artists in different media, most of them newly commissioned. They provide artistic and curatorial comments to ominously peaceful artworks, amplifying the echoes of not-so-distant battles and their far-reaching consequences.

The exhibition is divided into chapters and arranged according to subjective curatorial choices, built on free associations and counterpoints. Its focus is on the political uses of painting, and its common thread is a growing sense of danger, connected to the veiled and open conflicts of Austrian history. These include historical grievances related to the loss of empire, the long history of colonialism, exoticization, and othering in Central and Eastern Europe, as well as the dramas and struggles of class, as solemnly and playfully reflected in works of art.

→  https://2022.steirischerherbst.at/en/program/4036/a-war-in-the-distance-exhibition

Filed under “A War in the Distance: Exhibition”

Gabriel Abrantes
Ornithes (Birds, 2012)

steirischer herbst ’22

Friederike Anders
Lost Memories of the Woman in White (1997)

steirischer herbst ’22

Keti Chukhrov
Undead (2022)

steirischer herbst ’22

Josef Dabernig
Pastry Friday (2022)

steirischer herbst ’22

Jannik Franzen
Casting Bodies (2018)

steirischer herbst ’22

Aslan Goisum
Volga (2015)

steirischer herbst ’22

Assaf Gruber
Never Come Back (2022)

steirischer herbst ’22

Emil Gruber
Materials from the collection

steirischer herbst ’22

Flaka Haliti
Whose Bones? (2022)

steirischer herbst ’22

Yuriy Illienko
Swan Lake: The Zone (1990)

steirischer herbst ’22

Iman Issa
Animal Masks for Tribunal Scene (2022)

steirischer herbst ’22

Zhanna Kadyrova
Harmless War (2022)

steirischer herbst ’22

Rajkamal Kahlon
Unstable Vision (2012)

steirischer herbst ’22

Iosif Király
Photographs

steirischer herbst ’22

KwieKulik
Open Form—Game on an Actress’s Face (1971)

steirischer herbst ’22

Kateryna Lysovenko
Untitled

steirischer herbst ’22

Ekaterina Muromtseva
A Tough Male Portrait (2019)

steirischer herbst ’22

Henrike Naumann
Tag X (Day X, 2019)

steirischer herbst ’22

Navaridas & Deutinger
Emancipation of Wonder (2022)

steirischer herbst ’22

Igor Friedrich Petković
Gavrilo’s Principle (2011)

steirischer herbst ’22

Nihad Nino Pušija
Sarajevo and Berlin (1996–2008)

steirischer herbst ’22

Mykola Ridnyi
Seacoast (2008)

steirischer herbst ’22

Willem de Rooij
King Vulture (2022)

steirischer herbst ’22

Augustas Serapinas
Margit, Maya, and Vanessa (2022)

steirischer herbst ’22

Raed Yassin
The Theatricality of a Postponed Death (2022)

steirischer herbst ’22

Retrospective
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